Some Imaginary Portrait Compositions by William DeRaymond.

revisiting composition with orchids, 30"x36", 2016

composition with orchids, 30"x36", avalable

Emil Nolde - German Expressionist 1867-1956

Brush and Ink self portrait 1982

self portrait 22"x30", 1999

Some Salemme Environments

18"x24", 2013

Imaginary Portrait composition, 18"x24", 2001

still life with Ardhanarishwara, 24":x30", 1988

self portrait, 24"x36", 2011

watercolor composition 22"x30, 2009

watercolor compositions from 1995 on

 Wanna look at some pictures?  click link below for pdf of

watercolor compositions from 1995 on

28"x30", 1997

28"x30", 1997, available

early still life watercolor compositions - 1984-1994

22"x30", 1982

 22"x30", 1982, available

Imaginary Portrait Composition, 20"x24", 2011

Imaginary Portrait Composition, 20"x24", 2011, available

early still life watercolor compositions of William DeRaymond 1982-1983

24"x30", 2012

24"x30", 2012, available

composition with infant's head portrait, 22"x30", 1985

composition with infant's head portrait, 22"x30", 1985, available

Brush and ink still life, 1982-1995

 Brush and ink can be and essentially is a zen fine art medium.  It has formed the foundation for my entire art practice in all the various mediums.  It forms the foundation for the practice of the aesthetics of spontaneity.  om

 click link below for pdf

Brush and ink still life, 1982-1995

Portraits, oil, watercolor, and misc. 1982 - present

 The currently final presentation of portraits.  Check out all the portrait pdf on the portrait page.  As Always thanks for the attention!
     Click  on link below...
If for some reason the file doesn't load properly simply download to view.

Portraits, oil, watercolor, and misc. 1982 - present

brush and ink portraits 1982 - now

 Here is a continuation revealing the body of work I have created since 1982.  It is all grounded in what I call the aesthetics of spontaneity, and brush and ink has been vital in laying the foundation for that practice in all the other 2d mediums I have worked with. It is an essentially zen fine art practice.
     Portraits hold a special place in my heart as a major art motif.  Confronting the drama of someone's face and appearance as the manifestation of their psyche is a great challenge and one of the great mysterious miracles of the aesthetics of spontaneity...ie.  how the psyche arises out of the moment to moment attention to 'color' and brush.
click on link below for the pdf.

brush and ink portraits 1982 - now