#Style- #Art #Quote by Antonio Salemme, #Sculptor and #Painter, 1892-1995

 Style is most important, whether it be a book, a piece of music, a painting, or a piece of sculpture. But style is recognized only in retrospect. If one has style in mind while one is painting, one becomes stylistic. One produces a style after the Gothic, or Renaissance, or African. The style becomes superficial and becomes a manner, and we call that stylistic.
My style comes out of my whole life.  The style is the result of the state of mind of the artist, the subject matter one is
handling, the state of one’s health, and the clarity of one’s mind: all that goes into the work. After it’s done, the style
can be recognized. Whatever comes out is a spontaneous and mysterious thing. Style cannot be defined intellectually. It can be seen only in retrospect. For example, the Gothic style came out of the condition of France and Germany in the 13th and 14th century. The 12th century was Romanesque: after the Romanesque came the Gothic.
The Romanesque was a result of the Roman Empire, the Greek art and all of that. Then the Gothic came because the people began to express themselves more directly. It came out of The climate, the stones they had to work with, and their religious approach… their interpretation of Christianity. That whole thing produced what we call the Gothic style, and the word ‘gothic’ means ‘barbarian’, uncivilized’. It was original expression, getting away from the Greek and the Roman. But it all came about in retrospect. The people who built the Gothic cathedrals built them as well as they could under the condition and the state of mind they were in, and out came what we call the Gothic style.
So when someone does a painting, the same process takes place.
Everything one is comes out in that painting. If one’s able to be spontaneous, then there is spontaneity in the style and there is vigor in the brush strokes. If one is not able to be spontaneous, because one is still immature and one is uncertain,
and one’s technique is not complete, then style doesn’t come through, because one is still struggling with technique. If one has mastered the technique and lived, and is still vigorous, and paints with pleasure, then out comes what we call style.
Style is never an intellectual and willful effort. It is like grace in the spiritual life. We try, we pray, we sit, we meditate. By the grace of God in a mysterious way we become enlightened. You don’t become enlightened by mere effort. You don’t achieve enlightenment. Enlightenment comes after great discipline and effort, but we don’t achieve. It is the same with style in Art.

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